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Taiji Quan: Laojia
The first form of Lao Jia (Laojia Yilu) – the first ‘old’ form – is the ‘parent’ form of all of the other basic styles of Tai chi chuan (such as for example the Yang style and the Wu-style). This form contains both fast and slow movements; a very important aspect of it is the silk reeling, which is also an extremely important practice in the Chen style Tai chi.
The first form of Lao Jia is used as an important training and teaching method in the Chen style Tai chi chuan this is why it is taught before all the other forms and sequences. In the training course taught at the Chenjiagou village (the native village of the Chen family), for example, the Lao Jia form is considered the basis for teaching Tai chi. Lao Jia has to be mastered to a certain level of perfection before the student can move on to learning new forms such as Xin Jia, for example.
Lao Jia is believed to have been created by (Chen Changxin) of the Chen family who used as a basis the already existing fighting sequences attributed to (Chen Wangting).
Chen style Tai chi is characterized by the diversity of the movements in forms and the depth of the energy work based on the universal laws of Nature. Chen style Tai chi contains simultaneously softness and brutality, roundness and squareness, slowness and acceleration, openness and closeness, lightness and fullness, twisting and untwisting.
The continuous movements of the forms, flowing from one into another, have been smoothed out in many aspects – physical, energy and alchemical – throughout the centuries. Practicing for hundreds of years and accumulating a unique experience the Tai chi chuan masters have managed to reveal the internal relations and the laws of motion through these forms.
As a whole it is believed that the Lao Jia movements are more expansive than the other Tai chi forms of the Chen family. One can also say that they are less complex. What is important when performing this form is to work well with the waist and ‘master’ the fixation of the final point of each movement before moving on to the next one. It is said that in the Ilu form the hands follow the movements of the body.
The movements are done in a very soft manner, the speed of movement sometimes slows down, then accelerates, so that fast and slow movements follow one another. The (fajin) technique (meaning «the energy emission») is activated in not more than 25% of the sequence.
Presently the Lao Jia form contains two single sequences - (Yi lu), «the first road» and (Er lu), «the second road», as well as many othe forms with weapons, the (tui shou) technique – which means «pushing hands», plus additional training exercises.
There are various classifications of the Lao Jia Yi Lu form. In the book written by (Chen Xin) «The Illustrated Canon of the Chen Family Taijiquan» the form is subdivided into 13 parts, and in this case the classifying principle is the aim of the movement.
First Lao Jia sequence
The first Lao Jia sequence is made up of 74 – 76 movements (depending on the approach used by the teacher).
| 1. | Yu Bei Shi | Preparing form
| | 2. | Jin Gang Dao Dui | Buddha´s Warrior Attendant Pounds Mortar
| | 3. | Lan Zha Yi | Lazily Tying Coat
| | 4. | Liu Feng Si Bi | Six Sealing and Four Closing
| | 5. | Dan Bian | Single Whip
| | 6. | Jin Gang Dao Dui | Buddha´s Warrior Attendant Pounds Mortar
| | 7. | Bai He Liang Chi | White Crane Spreads Its Wings
| | 8. | Xie Xing | Walking Obliquely
| | 9. | Lou Xi | Brushing Knees
| | 10. | Shang San Bu | Stepping Three Steps
| | 11. | Xie Xing | Walking Obliquely
| | 12. | Lou Xi | Brushing Knees
| | 13. | Shang San Bu | Stepping Three Steps
| | 14. | Yan Shou Gong Quan | Hidden Thrust Punch and Whirling Upper Arms
| | 15. | Jin Gang Dao Dui | Buddha´s Warrior Attendant Pounds Mortar
| | 16. | Pie Shen Quan | Flinging Body
| | 17 | Qing Long Chu Shui | Green Dragon out of the Water
| | 18. | Shuang Tui Shou | Double Pushing Hands
| | 19. | Zhou Di Kan Quan | Fist under Elbow
| | 20. | Dao Juan Gong | Step Back and Whirl Arms
| | 21. | Bai He Liang Chi | White Crane Spreads Its Wings
| | 22. | Xie Xing | Walking Obliquely
| | 23. | Shan Tong Bei | Flash with Back
| | 24. | Yan Shou Gong Quan | Hidden Thrust Punch and Whirling Upper Arms
| | 25. | Liu Feng Si Bi | Six Sealing and Four Closing
| | 26. | Dan Bian | Single Whip
| | 27. | Yun Shou | Cloud Hands
| | 28. | Gao Tan Ma | High Pat on Horse
| | 29. | You Ca Jiao | Brushing the Right Foot
| | 30. | Zuo Ca Jiao | Brushing the Left Foot
| | 31. | Zuo Deng Yi Gen | Kick with the Left Heel
| | 32. | Shang San Bu | Stepping Three Steps
| | 33. | Ji Di Chui | Punch the Ground
| | 34. | Ti Er Qi | Double Raise Kick
| | 35. | Hu Xing Quan | Protecting the Heart
| | 36. | Xuan Feng Jiao | Tornado Foot
| | 37. | You Deng Yi Gen | Kick with the Right Heel
| | 38. | Yan Shou Gong Quan | Hidden Thrust Punch and Whirling Upper Arms
| | 39. | Xiao Qin Da | Small Catch and Hit
| | 40. | Bao Tou Tui Shan | Embrace Head and Push Mountain
| | 41. | Liu Feng Si Bi | Six Sealing and Four Closing
| | 42. | Dan Bian | Single Whip
| | 43. | Qian Zhao | Forward Trick
| | 44. | Hou Zhao | Backward Trick
| | 45. | Ye Ma Fen Zhong | Parting the Wild Horse’s Mane
| | 46. | Liu Feng Si Bi | Six Sealing and Four Closing
| | 47. | Dan Bian | Single Whip
| | 48. | Yu Nu Chuan Suo | Jade Girl Works Shuttles
| | 49 | Lan Zha Yi | Lazily Tying Coat
| | 50. | Liu Feng Si Bi | Six Sealing and Four Closing
| | 51. | Dan Bian | Single Whip
| | 52. | Yun Shou | Cloud Hands
| | 53 | Shuang Bai Lian | Wave Double Lotus
| | 54. | Die Jiao Da Cha | Shake Foot and Stretch Down
| | 55. | Jin Ji Du Li | Golden Rooster Stands on One Leg
| | 56. | Dao Juan Gong | Step Back and Whirl Arms
| | 57. | Bai He Liang Chi | White Crane Spreads Its Wings
| | 58. | Xie Xing | Walking Obliquely
| | 59 | Shan Tong Bei | Flash with Back
| | 60. | Yan Shou Gong Quan | Hidden Thrust Punch and Whirling Upper Arms
| | 61. | Liu Feng Si Bi | Six Sealing and Four Closing
| | 62. | Dan Bian | Single Whip
| | 63. | Yun Shou | Cloud Hands
| | 64. | Gao Tan Ma | High Pat on Horse
| | 65. | Shi Zi Jiao | Cross Hands and Sweep Lotus with One Leg
| | 66. | Zhi Dang Chui | Punch to Crotch
| | 67. | Yuan Hou Xian Guo | White Ape Presents Fruit
| | 68. | Dan Bian | Single Whip
| | 69. | Que Di Long | Sparrow Ground Dragon
| | 70. | Shang Bu Qi Xing | Stepping Forward with Seven Stars
| | 71. | Xia Bu Kua Gong | Step Back to Ride the Tiger
| | 72. | Zhuan Shen Shuang Bai Lian | Turn Back and Wave Double Lotus
| | 73. | Dang Tou Pao | Head-on Blow
| | 74. | Jin Gang Dao Dui | Buddha´s Warrior Attendant Pounds Mortar
| | 75. | Tai Ji Shou Si | Closing Form |
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